Choral Chameleon
Vince Peterson, Artistic Director
Sanctuary of the Fourth Universalist Society
April 18, 2010

Choral Chameleon is a nineteen-voice chamber chorus whose mission “is to engage listeners in a diverse and innovative musical experience through its integrative concert programming and education outreach.” Their early-evening concert was titled “Hymns for the Amusement of Children” and featured four works composed during the twentieth and twenty-first centuries. These works were integrated in that their texts all have a connection to childhood. The chorus produces a pleasant sound, especially beautiful in soft homophonic passages. But unlike the reptile for which they are named, throughout the concert the sound of Choral Chameleon never changed color. They do sing with fine intonation and are very comfortable performing complex rhythmic passages. Most importantly, artistic director Vince Peterson has the chorus shape the musical lines so that they all have forward thrust and an expressive musical profile.

The concert began with “Three Choral Settings from Alice in Wonderland” by Irving Fine (1914-1962). These works set the tone of the first half – often jazzy, easy to listen to. By the way, Mr. Peterson made his first entrance carrying a baton in one hand and a plastic water bottle in the other, something this viewer found to be quite undignified.

“Five Childhood Lyrics” by John Rutter (b.1945) followed. I especially enjoyed the first song, “Monday’s Child.” It was good to hear the chorus singing some slow, expressive, a cappella music. The first half ended with the work from which the concert took its title, “Hymns for the Amusement of Children” by Conrad Susa (b.1935.) In the next to the last song, “Undressing in the Evening,” we heard the best of the first half’s three soloists drawn from the chorus, baritone Andrew Cook-Feltz.

The second half featured the world premiere of the oratorio “Such Beautiful Things” by Jeffrey Parola (b.1979.) The skillful libretto by Tony Asaro was drawn from the Brothers Grimm’s “The Traveling Musicians.” This is a well constructed major work, almost an hour long. Of the four soloists, soprano Christina Borgioli made the strongest impression. She possesses a thrilling voice - well produced and beautiful in all parts of her range.

-Harry Saltzman for New York Concert Review; New York, NY